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Nik Bärtsch wife -Bärtsch started learning piano and drums at the age of ten and was taught by Boris Mersson for five years before studying at the conservatory. He then attended the Zurich Academy of Music, where he graduated in 1997. From 1998 to 2001 he also studied languages, musicology and philosophy at the University of Zurich.
John Cage, Steve Reich and Morton Feldman were among the avant-garde composers who piqued his interest. In 1997 he founded Mobile and in 2001 he founded Ronin. Manfred Eicher recruited Ronin for his label ECM Records and released his debut album Stoa in 2006. Bärtsch became co-owner of a Zurich club the following year.
Bärtsch’s music has been described as zen funk, but with the release of Llyria he turned to modern classical music. From 2000 to 2003 he taught practical aesthetics at the Musikhochschule Zürich-Winterthur. Bärtsch lives with his wife, who has a doctorate in natural sciences and also works as a shiatsu therapist and aikido teacher, and his three daughters in Zurich.
Nik Bärtsch’s musical and performative approach is dominated by repetition and change. Nik Bärtsch’s work oscillates between contemporary music, jazz and funk. The use of repetition in his music, as well as the structures built on intertwined parts, suggest that he was influenced by minimalist music, in particular Steve Reich.
Bärtsch is also influenced by Eastern philosophy and the ostinato of James Brown. He is also a big fan of the music of John Cage and Morton Feldman, two American composers. Bärtsch is fascinated by Japanese Zen culture. Among other things, his passion for Japanese martial arts and Zen shaped his musical perspective. It is his practice of Zen mindfulness that does not get lost in the crowd, but reduces the multiple to the bare minimum and focuses on the essential.
Despite the various influences, this music still has its own identity. Despite the fact that it contains components from the most diverse musical fields – from funk and jazz to new classical music and the sounds of Japanese ceremonial music – these forms are not juxtaposed or referenced postmodern, but rather merged to generate a new style.
The result is independent groovy, tonal and rhythmic music made up of a few phrases and patterns, which are always combined and layered in new and varied ways. In 1995, the group Groove Cooperative of Bärtsch and Menico Ferrari reached the final of the European jazz competition Leverkusen Jazz Days. In 1999 and 2002 he received the UBS Kulturstiftung Advancement Award.
In 2002 he received the year of work from the Swiss city of Zurich. In 2004 he was awarded the Zollikon Municipality Culture Prize. In 2007, Pro Helvetia commissioned a piece from him for a music and dance program with Hideto Heshiki. Bärtsch funded Pro Helvetia as part of the Priority Jazz Promotion from 2007 to 2009.
In 2015 he was nominated for the Swiss Music Prize of the Federal Office of Culture. In 2016, it won DownBeat magazine’s Rising Stars Keyboards category. In 2019 he was awarded the City of Zurich Art Prize for the second time in 2021, this time in the “Rising Star Piano” category of the “Critics Poll”.
Nik Bartsch wife
These honors are among the most prestigious in the jazz industry. Nik Bärtsch is a well-known jazz pianist who lives with his family in Zurich. Born in Zurich, he studied philosophy, languages and musicology in addition to music. It is therefore not surprising that music has a deeper meaning for him. On his website, he explains his music as follows: “A piece can be grasped like a piece, be inhabited.
The music moves and changes states through obsessive moments, overlays of different meters and micro-interactions. Minor differences in wording are highlighted. Thus, the band takes on the characteristics of an animal, a biotope or an urban place.
It’s important to think with your ears and your hands. He embodies this idea with his group Ronin, which has already toured Europe, Asia and the USA. The musician has recorded more than thirteen discs with his bands Nik Bärtsch’s Ronin and Nik Bärtsch’s Mobile, as well as solo, which he performs every week as part of his concert series at the Club Exil in Zurich. He has had his own Ronin Rhythm Record label since 2006
For “Music for Tomorrow”, Nik Bärtsch performed the work “Modul 5”. “The work consists of a modest, intricate 6/4 pattern that spans the entire piano throughout the song,” he says. This pattern first appeared in my musical development when I was very young and it has stayed with me ever since.
Like me, the first composition grows continuously. We work together to make our relationship simpler, more direct, yet deeper and more mysterious, just as my wife and I shape our lives together.”
What does your daily life as a composer look like in the midst of the corona pandemic, Nik Bärtsch? Nik Bärtsch: As a composer, pianist, conductor, producer and publisher, I am a freelancer in my own right. So far, the main difference between pre and post infection is that I travel a lot less. All overseas shows, workshops and concerts have been cancelled. So now I’m back home between trips to my typical daily routine.
I compose, practice, rehearse, organize and communicate in that order. I also share family life with my wife, who is also very active professionally, and we have two children. It takes a lot of joie de vivre, discipline, structure and, as always, a wealth of ideas and a desire for surprises. It wasn’t a big change for us because we want to organize everything and keep it at a high level. Our children are often left at home and not cared for at daycare or elsewhere. Since we all practice martial arts, we can train together on the lawn in front of the house. We will continue to broadcast our Monday concert series in the EXIL Club for the time being. Therefore, Monday continues to be the traditional day for neighborhood concerts, and the community and the various teams stay in close contact.
Nik Bartsch wife